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Anyway, after hearing this tune, Cleve asked if it would be okay to give it the full Greezy treatment. More than okay, the sketch started me thinking of a Cecil B. deMille production. Finally, Cleve said he wanted to do it "acoustic", and suggested I add guitar. Reflexively, I called one of my favorite guitar players, and Inmon said he would be delighted to do this. Then we invited Ponty to the party - like a sprinkle of filé. Set up in Fred's studio, we cut the track head-on with everyone having a relaxed and fun evening. I love it when a plan comes together! Now good jew's harp players are hard to come by. As the true Armadillo guru, Jim Franklin has regaled thousands of music lovers with his performance art, and was perfect for this cut. Cap it off with Lissa and PJ's signature Greezy vocals, a touch of bass, a dash of tasty percussion, and this cut was done!
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Cleve Hattersley
Mary Hattersley Lissa Hattersley Penny Jo Fullus John Inmon Ponty Bone Fletcher Clark James Fenner Jim Franklin |
vocal, acoustic slide guitar
violin vocals vocals acoustic guitar accordion electric bass percussion jew's harp |
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Fred Remmert | Cedar Creek Studio (South Austin) | |
NO FAULT, NO BLAME, NO SHAME - the way love ought to be -
by Fletcher Clark
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